Originally set to shoot in Argentina, the production had to be moved to Whistler, BC just 2 weeks before the shoot. But the real challenge was capturing all the still & video footage possible in some very dynamic & remote locations.
Shooting with our Canon DSLR & the RED (the most badass piece of digital video on the market), Eric's focus was not just the shot list, but creating a workflow to meet our client’s tight deadline. With the client, retoucher, editor, and colorist on location with the crew, they were able to pull live frames from each scene on the Red, work in the post-production, then hand them off to the colorist to create & compliment the stills. This saved a ton of editing & coloring time, allowing for faster turnaround -- our clients had a finished piece in hand 2 weeks after the shoot wrapped.
Hats off to Producer Extraordinaire Hilary for a seamless production. See more behind the scenes photos in Eric's blog post, or view the campaign at KIELPHOTO.COM
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